"The Whipping Boy" gets an update.

4 Stars.

Sid Fleischman's "The Whipping Boy" gets an update ala YA dystopian science fiction.

Syd (16), a poor orphan from "The Valve" was born into debt.  This is a common situation in Syd's world, in fact all of his peers have 18 year of debt on their hands at work.  And like his peers, Syd's debt was bought as an infant by a wealthy benefactor who would use him as a "proxy" for Knox (also 16), a spoiled rich boy.  While some proxies are lucky enough to have mild mannered "patrons" who get into only small amounts of trouble in their lifetimes, Knox looks for trouble.  And why wouldn't he?  Knox knows that any crime he commits would be paid for in punishment by his proxy.  While Knox and Syd have never met face to face, Knox is forced to watch "his" punishments on a screen via Syd's body.

While Syd's life has been a virtual hell due to his patron's devil may care attitude, Syd take comfort in the fact that that in two years he will be Knox free and debt free.  That is, until Knox's antics cross a line that raises the stakes too high and society discovers that Syd is not an ordinary proxy.  On the run, Syd and Knox are thrown together on a journey through a futuristic Detroit where the battle between debtors and creditors have been taken to a new level.

Class warfare.  Bored, wealthy society where its citizens dress in ridiculous fashions.   This is some well worn territory for sure.  However, "Proxy" finds a fresh voice in Syd and executes its premise admirably.  I cannot think of another novel in this genre with a character like Syd.  Not only is he non-caucasian, but he is gay and his coming out is not central to the story.  Early on we know that this is who Syd is and while it contributes to all the things that make up his persona it alone does not define him.  In fact, he is a protagonist any teen can relate to regardless of race or sexuality.

While the villains could have been fleshed out a little more I have to applaud some of the plot points.
"Proxy" throws in a few curve balls that keep the plot moving.  The ending itself while not totally unexpected was heart wrenching just the same.  I look forward to spending more time with Syd in further books in this series.

With one foot in the closet

A solid 4 star read.

My thanks to NetGalley for my ARC.

Rafe came out to his very accepting parents at a young age. His mom even threw him a party! He was never bullied in his liberal Colorado school and he enjoyed an active social life that included his best friend Claire Olivia. Sounds ideal in a world of bullied teens and tragic stories. Rafe however, is tired of being looked at by everyone as "the gay guy" and not just Rafe who happens to be gay. So he devises a plan to transfer to an elite all boys prep school in Massachusetts and live as one of the guys. He won't tell anyone he's gay, but he won't tell anyone he's straight. Or at least that is the plan. He just wants to be accepted without the label and he insists he is not going back in the closet. Or course best laid plans don't always go accordingly, and there is no pun in that statement. Especially when Rafe develops feelings for Ben, a straight (or is he bi?) student at Nattuck. 

I will admit this book made me a bit angry when I first began to get into Rafe's story. Rafe himself is extremely self centered and his oblivious, "no big deal" attitude towards hiding a key part of who he was in order to impress some real jerks grated on me. But then, that was the point wasn't it? I got Rafe's initial motivation. He was never bullied, but everyone made assumptions about him according to the fact that he was openly gay. For instance, teachers would direct specific civil right questions towards Rafe in hopes of getting a "gay perspective". Straight guys would randomly ask him if they would be considered attractive. This is the sort of naive but well intentioned dialogue I'm sure even the best of us have tripped into when dealing with a friend who is different. For Rafe, it was distracting from who he was other than gay.

So, Rafe goes to Nattuck and claims he won't comment on his sexuality one was or the other. Except he tells the guys that Claire Olivia is his girlfriend. When asked directly, he doesn't come out to his roommate's gay best friend Tobias (who has had his share of bullying at the hands of some of Rafe's jock friends) and he certainly isn't honest with Ben when the two begin to skirt the lines between friendship and a relationship. So yeah, Rafe IS actually back in the closet and very dishonest, which makes his entire "experiment" feel like a vanity project at times.

I felt so embarrassed for Ben, who was just figuring our where he stood on attraction. He really felt that Rafe was experiencing the same thing with him at the same time, and it made me very angry at the protagonist. Rafe didn't lie to Ben in order to seduce him, but Ben was missing the entirety of Rafe's story...while Ben himself was sweetly candid at all times. Also, Rafe didn't bully anyone persee, but there was at least one time when I felt like he was a bystander. Of course as time goes on, this all changes.

The thing is, Rafe is called out for his selfishness. Claire Olivia sees it. His parents see it. Rafe himself eventually realizes that his dishonesty not only hurt the people he loved but himself. I liked that, because I wanted to reach through the pages and hit him myself at a few points. 

Openly Straight cracks the door open for a bunch of questions that are not often brought up in everyday dialog let alone a YA novel. What is attraction? Can you fall in love with a person without the stigma of sexuality? Why are western guys so uncomfortable around other guys while other cultures past and present celebrated close masculine relationships. In fact, I really wish the book went a little more into the idea of omni/pan sexuality as there is a need to understand that you don't always find yourself attracted to who you think. I was impressed that the idea of male bisexuality was brought up at all. I can't say that I recall any book which touches upon that idea.

Most importantly, Openly Straight discusses love. Not just love in a relationship, but love between friends and family. Early on in the book I had to skip to the end in order to decide if I could handle all the anger I was feeling towards Rafe's behavior. What I read was honest and well thought out. Like in "If you could be mine" another LGBT themed book I had reviewed, there were no easy answers, but I expect they were honest. And in the end that is the lesson Rafe learned for his heartbreak. Be who you are. Be honest about it. If you can accept that person and you have the support of those you love, you are already well on your way

The Dirk Lloyd strikes again!

3.5 Stars

While I was amused but not blown away by the first book, I noticed the sequel to Jamie Thompson (cough) I mean DIRK LLOYD's junior novel, "Dark Lord, The Early Years" was available on Net Galley. I decided it could be a fun light read for my upcoming trip to Scotland. 

I was still not blown away by the book, but I don't think that is the point in this series. In fact I would have to say, this book hit it's stride with me where the first one missed the dance. 

The book recaps briefly what we learned in the first. The Dark Lord (think Sauron or Voldemort) or the Darklands was stripped of his powers and send to our world in the body of a twelve year old human boy. Still with some (very weakened) powers in tact, the Dark Lord was renamed "Dirk Lloyd" and sent to live as a foster son with the Purejoie family who were thought the best fit for an emotionally disturbed and delusional child. 

The story picks up where the last one left off. Sooz, Dirk's goth friend (NOT girlfriend!) was sent back to the Darklands in Dirk's place when the ritual to send him home was meant to transport only the one who wore the ring of power. Dirk had given it to Sooz in the first book only to have her make a copy to give to Dirk when he wanted it back. With the ring on her hand Sooz is confused to be Dirk's betrothed. Her gentle but dark personality charms the Dark Lord's minions. This is including Gargon, Dirk's most loyal creature, the head of the goblins and even Rufino who is a Paladin under the rule of Hasburdan (think Gandalf). 

You see, while Sooz insists on repainting Dirk's Iron tower black (Hasburdan had it painted pink in the Dark Lord's exile) she also introduces a five day work week and other amenities of our developed world that the evil Dark Lord would have never approved. Sadly for Sooz, Hasburdan still considers her evil and pledges to attack. 

Meanwhile, in our world, Dirk and his foster brother Christopher desperately try to find the means to contact Sooz and bring her home. There is some real hilarity that comes from this venture and it is different from the humor in the first book. In fact there are quite a few things that worked in this book that were absent in the first. 

While the first had a fun "Diary of a Wimpy Kid" written by Sauron thing going for it, I found myself at a real distance from the characters. Sure, Sooz was kind of sweet, but I didn't really give two figs about Chris or even the protagonist, Dirk. The unlikable hero niche that made Greg Heffley's antics so popular didn't really click for me in Dirk's case because he is more aware of his bad qualities than Greg. 

This book managed to actually make me care about Dirk, which surprised me. It also broke from the diary format which was a good breather and added some moderate depth to Dirk's motivation. Chris was still a little stiff, but I felt a definite shift in the way I felt about him. 

With a few laugh out loud moments throughout, I can say for sure that I hope the Dark Lord will reign for another volume or two.

Mwa hahahahaha!!!!!!!

If you could only see the way she loves me, maybe you'd understand-

3.5 Stars  

A big thanks to NetGalley and Algonquin publishing house for the ARC version.

Now for the nitty gritty.

While I hoped that this would be a story of defiance in the name of true love, what I got was a more complacent look at the status of the gay community in Iran.  This does not mean that this was a bad story by any means.  In fact, I learned about the status of transsexuals in Iran which gave me a serious, "wrinkle in the brain" moment.

Let's get down to plot.  Sahar is a lesbian.  Living close by, her childhood friend Nasrin has also been her secret girlfriend for years.  Nasrin claimed Sahar as "hers" years ago when they were children and this bloomed into a deep love with the manic feelings of teenage lust and passion.  Nasrin, however is quick to declare to Sahar that they are not "gay" they are in "love" and while this may be the (pansexual) case for Nasrin, it is not for Sahar.  However, gay or not, what Nasrin says is true.  The two girls are indeed in love. 

There are some issues with their relationship, of course.  First, Sahar, while a valued friend of Nasrin's, is from a working class family while Nasrin is upper class.  More than that, the two girls live in Tehran, Iran, where a lesbian couple could be potentially killed.  Also, Nasrin seems more than a little selfish.  She is spoiled and has her whole family in tact, while Sahar has to care for her despondent father who has not been the same since the death of Sahar's mother.   While it is well known that Sahar is very smart and will most likely go to medical school, Nasrin is thought to be only good enough to marry rich.  And while Sahar dreams of herself being the successful doctor who will marry Nasrin, in reality Nasrin's family has arranged a marriage with a currently practicing (male) MD intern.  Blindsided by the engagement, Sahar is equally enraged and depressed.

The story takes a detour when Sahar's gay cousin, Ali introduces her to the gay underground in Tehran in hopes of showing Sahar that there are other eligible young women to fill the void that will be left by Nasrin.  What Sahar learns is that in Iran, a transsexual can receive a sex change operation at the partial expense of the government.  This is where that "wrinkle in the brain" came in for myself.  I looked it up and it is true.  "Gender reassignment" is considered a "cure" for a sickness in Iran.  If it is deemed that you actually are a man trapped in a woman's body or vice versa, not only is it sanctioned but the government will pay up to half the cost of the operation.  Iran is actually one of the countries with the highest number of gender reassignments preformed aside from Thailand.  However, as a homosexual, you are condemned.  

So, when Sahar meets a lovely woman named Praveen and discovers that she was once a he, love begins to take Sahar's mind to strange places.  If she was a man, she could marry Nasrin.  At least this is what Sahar believes, not taking into account how Nasrin's ultra showy family would feel about their daughter's childhood friend changing genders and marrying their princess.  Praveen agrees to introduce Sahar to a support group of transsexual youth but it becomes clear to everyone that Sahar is a lesbian and not trapped the the wrong body.  Sahar looks at the days ticking closer towards Nasrin's wedding and tries to speed up her "operation" in spite of herself.  It is a dreadful plan and everyone, including Sahar knows this.  However, it is all she has to get her through the day, especially when Nasrin frequently tells her that her heart belongs with Sahar.  

So that is the plot and background.  Without giving anything away, the story has a very open ending.  If you are expecting the girls to run away together or for the families to suddenly agree to call off the wedding and hide Sahar and Nasrin's love from the government, you will be sorely disappointed.  Again, this does not mean that this is a bad book.  I really feel that this is unfortunately a very real portrayal of how this situation could (safely) play out for these two.  Nasrin, we see is very used to creature comforts and would probably never give them up no matter how much she loves Sahar.  It also adds dimension to the story that Nasrin's fiance is actually a nice guy.  While it would have been easy for the author to create a monster akin to poor Maryam's husband in "A Thousand Splendid Suns", or so many other books that deal with arranged marriage, this author gives us a fine young man who is silly infatuated with Nasrin.  He is also eager to gain the approval of her best friend, Sahar.  Through no fault of his own, he is doomed to be hated.

Other great angles that adds some depth are the emerging friendship between Sahar and Praveen, Ali's rise and fall as the "go to guy" in the underground community and Sahar's love for her clinically depressed father.  Faced with many difficult choices, Sahar has more on her plate than other young lesbians in progressive countries and we want her to make the best ones, but because of her native country there are no easy answers.  This may make this read feel unsatisfying for some.  Still, that doesn't mean that it is not worth reading.  

Dreams and Shadows A review of an adult book

3 stars 

So, I picked up "Dreams and Shadows" after the book's marketing campaign finally wormed its way into my brain. Whenever I looked up a book I enjoyed or wanted to read, there was an ad for "Dreams and Shadows". 

As a children's librarian, the majority of what I read is, well, children's novels. This is not to say they are juvenile, most are quite sophisticated. Sometimes even more sophisticated than adult novels. And that is because children, tweens, teens, young adults, whatever you may call them are not stupid. I think it was Dr. Seuss who said ,"Children can smell a moral a mile a way." If that is not a direct quote, it is close. So while people get all high and mighty with me when I read children's books and say that it would drive them mad, because they are juvenile, I argue back that most of the time a good children's author will write a better story than an adult author. Because, while a child may not be totally jaded, they are not stupid. 

What does this have to do with "Dreams and Shadows"? I have been reading some adult literature lately for a number of reasons. One, I am running a 20-30 something book club at work and two, I feel like I need to be familiar with some of the more modern stuff. As I enjoy most of Neil Gaiman's writing, this one was suggested. And in a way I see how. Cargill weaves a dark fairy tale complete with some great research of fae and dark legends. Not all that "glitters" is gold in the world of fairies and djinn. Anyone who does a little probing of this type of lore realizes that cutesy victorian fairies are not very good representatives of the creatures of legend.

The main issue I had with this book was not the storytelling. I found that I wanted to know what happened next. There were points when I couldn't put it down. It was mainly the characters. 

I realize now, that I have gone through most of this review without talking about plot. Here, there are several plots running. The first is the doomed romance of Jared and Tiffany Thatcher, which begins as a story of a too perfect couple with all the luck. Their text book courtship is interrupted when they are chosen as targets of baby snatching fae who replace their newborn son, Ewan, with Knocks, a hideous changeling. This drives Tiffany to suicide and Jared to a watery death at the hands of other dark forces. Knocks is the only survivor, and while he proves a good villain, he is probably the only well fleshed out character in the entire novel. 

The second main plot is that of Colby Stevens, a little boy chosen by the cursed djinn Yashar to be "granted" a wish. When Colby's wish leads him into the dark realm of Austin Texas' fae Limestone Kingdom (yes, Austin Texas) he meets Ewan, grown into a boy around Colby's own age. While Ewan has grown into a precocious little boy seemingly beloved by the fae (especially Mallaigh or Molly, a young Sidhe) Knocks, Ewan's changeling counterpart seethes at Ewan's very existence. 

Everything comes together when ghosts or demons from the past come together and Colby discovers that Ewan's fostering by the fae has been part of a sinister plan. Colby, being a young boy who knows no better uses his bond with Yashar to give himself the power to save Ewan. Of course this is also not for the best.

The story follows these characters, Colby, Ewan, Knocks into their adult hood and while it was a fun ride, once again, only Knocks' rage fully fleshes out his character. I would have liked to get to know Colby and Ewan a bit better. Neither or them seem to display the power of emotions I like to see in protagonists. Once again, this is what children's novels do so very well. A good author will know that a child must connect with several characters on many levels. Therefore they will flesh them out. I would have liked more "flesh" on these bones. Yashar, the cursed djinn may have been the only other character that had enough substance to intrigue me.


Also, I know there have been several complaints about the female characters being very thin. While I agree, I can forgive some of them due to their fae nature. Still, I really like to see a well written female character that does not only exist as a love interest. Tiffany Thatcher and Knock's adopted mother Leila were as close as we could get to a well written heroine, but neither of them seemed to stick around long enough to be more than plot devices. However, neither of these plot devices were particularly bad, so I am not sure how much of a complaint that is. 

Littered between each chapter are "real" accounts of fairy activity from excerpts of a fake text written by a mysterious Phd. of metaphysical studies.

This is definitely worth a read. It is funny in places (especially when it comes to the dialogue between Yashar and the young Colby) and terrifying in others. However, there are parts of this novel that left me feeling like I had an itch I could never scratch. This was likely the holes in the characters.

Pretty Poison

Mysterious Kyra is running from the law following a failed attempt on the life of her Kingdom's Princess Arianna.  Kyra is a master at potions, a lover of pie and a cunning assassin.  She is willing to risk her own life in order to complete her task, because she is certain that in order to save her Kingdom from destruction, the princess must die.  The princess who is also Kyra's very best friend.  

In this fast paced fantasy, the story unfolds delightfully.  Told from Kyra's point of view, we follow her through a quest which reveals an often humorous and relatable voice for young fantasy fans today.  After making a deal with a criminal, Kyra is stuck with Rosie, a pig with the ability to hunt down any person whose scent she is given.  Rosie leads Kyra to an incident where she is rescued by Fred, a mysterious young man and animal lover who is also traveling with his wolf like dog, Langley.  While it will be clear to readers that there is more to both Kyra and Fred than meets the eye not all of the revelations will be obvious and even the ones that may seem plausible will be satisfying when confirmed.  

Kyra's interaction with Fred as well as her friendship with Arianna both feel very genuine and Kyra's dedication to the field of potions and poisons makes her a different kind of heroine.  This is a highly readable novel, which will have a very wide appeal.  We can only hope we haven't seen the last of her. 

Cautionary Tales for Boys and Girls

4.5 Stars

Guillermo Del Toro once mentioned in an interview that darkness in children's films is necessary. Darkness addresses various neurosis and impulses that exist in the human condition and bypassing these truths does a disservice to children and how they deal with fear. Of course, I am paraphrasing big time, but that is the basic idea. Growing up in the 1980's and the early 1990's, my children's entertainment was far darker than it is today. For instance, I scoffed when people claimed that Pixar's "Brave" was too scary for children under the age of 12. Are they kidding? Do they know that when I was a child, I watched Atreyu brutally kill Gmork in the Neverending Story? I seem to remember some terrifying scenes in the film adaptions of "The Secret of Nymh" and "The Last Unicorn." I am not going to even begin to discuss most episodes of "Are you Afraid of the Dark." What does this all have to do with "The Cavendish Home for Boys and Girls"? This book is quite scary. It is also brilliant.

Basically, the story centers around Victoria, a perfect specimen of a child if she does say so herself. She is top of her class, loved by her teachers and always presentable. She doesn't have much need for friends, but she has found herself a project in classmate, Lawrence. Lawrence is an odd child with a streak of grey running through his unkempt hair. He is a musical prodigy, but always humming, a habit Victoria finds quite annoying. She has made it her goal to whip Lawrence into shape. This all comes to a head one strange day when some unraveling at school leads her to denounce Lawrence. Then he disappears. 

All of the adults, including Lawrence's parents claim that he has gone upstate, but there is something cruel in these proclamations and Victoria decides she will get to the bottom of it. A decision that leads her to the doorway of The Cavendish Home for Boys and Girls, a mysterious orphanage run by Miss Cavendish herself and her "project" Mr. Alice. Within this house leads Victoria on a terrible journey which is reminiscent of "Coraline" and slightly fable like in quality. 

In essence this is a very Victorian story. It is a cautionary tale. It is cautionary of cold Victorian values and has a heroine (albeit, a slightly annoying one) named Victoria. Miss Cavendish takes "difficult" children and strives to straighten them out. Some of her victims are Lawrence, who's odd humming and passion for music has begun of annoy his parents (children should be seen and not heard) and Jacqueline, the unkempt sister of Victoria's rival who's art work uses motifs of death and darkness. Then there is Victoria herself, who's crime may be her own perfection. If a child is straightened out by age 13 they are sent back to their home, but they are "changed" into a pale imitation of the person they once were.


Let it be known, there are some frightening elements of this book. It is very surreal and the implications of the horrors of the Cavendish home may not be suitable for younger or more sensitive readers. One example is the origin of the mysterious Cavendish casserole and her monstrous servants, the Gofers. I won't spoil it for anyone, but let's just say it is tied to fate of the children who do not make it to leave after their 13th birthday. Some of the scenes are also somewhat heartbreaking, but through Victoria's eyes we see something else. The caution against "too perfect". Miss Cavendish sees similarities between she and Victoria. Victoria too notices this and is horrified at the implications. 

The descriptive language is also quite beautiful, and while scary this book holds a lot of emotional value. Perhaps this is part of what Del Toro was talking about. In a world where competition to be "the best" and "elite" is pushed on some children from a very young age, this story strikes a chord.